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种子名称： Digital Tutors - Real-World Techniques for Multipass Compositing in After Effects
文件类型： 视频
文件数目： 47个文件
文件大小： 2.54 GB
收录时间： 2016-10-17 02:13
已经下载： 3次
资源热度： 125
最近下载： 2024-10-25 09:10

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Digital Tutors - Real-World Techniques for Multipass Compositing in After Effects.torrent

01. Introduction and project overview.mp410.23MB

02. Lets get linearized.mp444.51MB

03. Recommended file formats for compositing.mp431.42MB

04. Project organization, goals and breakdown.mp444.13MB

05. Basic additive technique for compositing render elements.mp446.48MB

06. Advanced additive technique for compositing render elements.mp451.88MB

07. Using light selects to composite render elements.mp441.74MB

08. Subtractive techniques for compositing render elements.mp443.37MB

09. Setting up lighting controls for our composite.mp451.69MB

10. Balancing our robot composite.mp475.03MB

11. Improving details on our robot composite.mp473.95MB

12. Finalizing the first pass for our robot composite.mp435.56MB

13. Getting started with our Cinema 4D composite.mp454.75MB

14. Controlling our diffuselighting pass.mp476.12MB

15. Adding color to our specular and shadow pass.mp447.91MB

16. Refining our GI pass for our environment.mp455.51MB

17. Tweaking the ambient and reflection passes.mp459.1MB

18. Adding an underwater look using our refraction pass..mp473.49MB

19. What are UV passes and how can we use them.mp459.79MB

20. Using Uvs to create custom displacement maps.mp457.1MB

21. Adding bubbles and liquid using UV maps.mp459.26MB

22. Exploring techniques for compositing AO and Shadow passes..mp462.09MB

23. Using RGB channels to color match elements.mp434.4MB

24. Making sure we have a balanced composite.mp442.29MB

25. Animating our lighting controls.mp453.33MB

26. Creating a balanced comp for the back of the robot.mp463.43MB

27. Finishing up the lighting on our robot comp.mp453.39MB

28. Lets talk about light wraps.mp463.48MB

29. Overall color grades and vignettes.mp441.83MB

30. Adding atmospheric particles to our scene..mp448.31MB

31. Creating and compositing an RGB volume light.mp481.75MB

32. Addressing client notes in comp to save time.mp484.77MB

33. Faking liquid using UVs and fractal noise..mp435.58MB

34. Advanced tips for using UVs.mp445.43MB

35. Lets talk about relighting.mp463.9MB

36. Adding contrast and contact lighting.mp448.38MB

37. Fake reflections and cheap rim lights.mp467.92MB

38. A new way to look at glows in After Effects.mp472.45MB

39. Compositing contact lighting for our laser gun flashes.mp478.85MB

40. A look at Position passes inside After Effects.mp450.16MB

41. Using Position passes to create UVs.mp455.71MB

42. Extracting position data from our world position pass.mp433.31MB

43. Adding destruction elements.mp471.99MB

44. Depth of field in After Effects using C4D renders.mp474.54MB

45. Applying depth of field to our robot using MayaVray renders..mp444.54MB

46. Adding motion blur to our comps.mp453.4MB

47. Finishing our composite and project.mp485.66MB