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种子名称： Lynda - mocha 4 Essential Training
文件类型：
文件数目： 100个文件
文件大小： 3.71 GB
收录时间： 2015-9-22 01:06
已经下载： 3次
资源热度： 114
最近下载： 2024-12-6 01:02

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Lynda - mocha 4 Essential Training.torrent

001 Welcome.mp42.07MB

002 Using the exercise files.mp44.88MB

003 Creating the first projects.mp46.68MB

004 Creating the first tracks.mp417.27MB

005 Planar tracking tricks.mp428.55MB

006 Checking and fixing the track.mp451.86MB

007 Timeline tricks - In and out points on projects and layers.mp47.21MB

008 Tracking objects that move offscreen with unlink tracking.mp419.17MB

009 Creating a fast rotospline.mp424.42MB

010 Using the data in After Effects.mp445.57MB

011 Introducing the different versions of mocha.mp47.23MB

012 mocha v4 user interface changes.mp46.69MB

013 Core modules - Clip.mp44.91MB

014 mocha v4 project setup and changes to the Clip module.mp410.1MB

015 Core modules - Track.mp45.3MB

016 Core modules - AdjustTrack.mp410.43MB

017 Lens Distortion (mocha AE & mocha Pro only).mp44.2MB

018 3D Camera Solver (mocha AE & mocha Pro only).mp44.13MB

019 Additional features included with mocha Pro.mp45.02MB

020 Launching mocha through After Effects.mp419.32MB

021 Setting up preferences - Output settings.mp415.34MB

022 Setting up preferences - System settings.mp410.4MB

023 Setting up preferences - Clip and Logging settings.mp412.06MB

024 Starting a new project.mp410.49MB

025 Preparing for tracking in the Clip module.mp425.48MB

026 Organizing rotospines with layer controls.mp420.21MB

027 Customizing keyboard shortcuts in mocha V4.mp48.55MB

028 Why use planar tracking_.mp430.45MB

029 Choosing the right place to track.mp428.63MB

030 What the planar tracker does not track.mp413.92MB

031 Setting the right tracking parameters.mp423.51MB

032 Tracking luminosity vs. color channels.mp46.54MB

033 What is the Surface_.mp424.37MB

034 Tracking scale.mp424.18MB

035 Working with track mattes to track complex shapes.mp435.3MB

036 Tracking rotation.mp443.15MB

037 When to use Shear or Perspective.mp424.16MB

038 What to do first when things go wrong.mp421.65MB

039 When to use the Adjust Track module.mp46.25MB

040 Using the Adjust Track module.mp436.07MB

041 What to do when objects go offscreen.mp419.55MB

042 Using the viewer helpers.mp426.07MB

043 The difference between visible layers and active layers.mp415.28MB

044 Dealing with issues with interlaced footage.mp428.87MB

045 Picking the correct Corner Pin export.mp437.26MB

046 Exporting transform data for match-moving.mp424.73MB

047 Exporting transform data for stabilization.mp419.71MB

048 Updates to using tracking data in After Effects.mp419.65MB

049 Troubleshooting 'bad' tracking data.mp416.1MB

050 Finishing touches and adding motion blur.mp425.18MB

051 Using Motion Corner Pin data.mp426.83MB

052 Exporting Motion transform data.mp417.27MB

053 Exporting mocha data to Final Cut Pro 7.mp436.3MB

054 How to work around the limitations of Final Cut Pro 7`s animation properties.mp432.95MB

055 Using mocha motion tracking with BCC Corner Pin.mp432.51MB

056 Using mocha transform data with BCC Lens Flare.mp428.17MB

057 Introduction to rotosplines.mp49.69MB

058 Setting up your layout for rotoscoping.mp418.08MB

059 When to use X-splines.mp421.39MB

060 When to use Bezier splines.mp425.39MB

061 Bezier Spline Point Types - Corners, Linear, Smooth.mp47.29MB

062 Connecting shapes to tracking data.mp430.05MB

063 Simplifying roto work with planar tracking.mp464.04MB

064 When to use multiple splines on a single layer.mp428.24MB

065 Checking rotosplines with the Matte view.mp411.61MB

066 Breaking down the task.mp48.55MB

067 Creating the main track and offset tracking.mp424.22MB

068 Using track mattes for difficult tracks.mp419.83MB

069 Breaking down complex shapes.mp427.57MB

070 Connecting and organizing rotosplines.mp415.58MB

071 Mixing shape types on a layer.mp419.95MB

072 Animation and keyframe controls.mp434.84MB

073 Using the Join Layers tool.mp430.8MB

074 Getting it right with Edge Properties.mp423.28MB

075 Taming the power of the berkey.mp421.56MB

076 Bringing shapes into After Effects.mp423.6MB

077 Handling complex mask shapes.mp441.48MB

078 Handling complex motion blur.mp417.9MB

079 Rendering shape data (mocha Pro only).mp419.04MB

080 Tracking in a different color space.mp442.99MB

081 When to use Align Surface.mp436.86MB

082 Exporting shape data to Premiere Pro CC 2014.mp418.18MB

083 Why it is important to correct for lens distortion.mp421.8MB

084 Setting up the distortion model.mp435.3MB

085 Using a grid.mp417.38MB

086 Using the undistorted data in mocha.mp416MB

087 How to use the distortion data in After Effects.mp455.85MB

088 When should you use mocha`s Camera Solver_.mp46.71MB

089 Identifying the type of camera movement.mp429.85MB

090 Picking the right surfaces - Pan and Tilt.mp466.47MB

091 Picking the right surfaces - Zoom.mp429.38MB

092 Picking the right surfaces - Parallax camera.mp436.43MB

093 Exporting and checking the 3D camera data in After Effects.mp460.48MB

094 Troubleshooting and limitations of the Camera Solver.mp431.38MB

095 Setting up a stereoscopic 3D project.mp415.04MB

096 Tracking S3D material.mp418.21MB

097 Rotoscoping S3D footage.mp426.59MB

098 Exporting stereoscopic 3D track and shape data to After Effects.mp429.65MB

099 Next steps.mp44.4MB

Exercise Files.rar1.51GB