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种子名称： Digital Tutors - Real-World Techniques for Multipass Compositing in After Effects
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文件数目： 48个文件
文件大小： 3.7 GB
收录时间： 2015-11-9 22:23
已经下载： 3次
资源热度： 129
最近下载： 2024-6-30 04:59

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Digital Tutors - Real-World Techniques for Multipass Compositing in After Effects.torrent

01. Introduction and project overview.mp410.24MB

02. Let's get linearized.mp444.55MB

03. Recommended file formats for compositing.mp431.46MB

04. Project organization, goals and breakdown.mp444.18MB

05. Basic additive technique for compositing render elements.mp446.53MB

06. Advanced additive technique for compositing render elements.mp451.93MB

07. Using light selects to composite render elements.mp441.78MB

08. Subtractive techniques for compositing render elements.mp443.41MB

09. Setting up lighting controls for our composite.mp451.74MB

10. Balancing our robot composite.mp475.08MB

11. Improving details on our robot composite.mp473.99MB

12. Finalizing the first pass for our robot composite.mp435.58MB

13. Getting started with our Cinema 4D composite.mp454.8MB

14. Controlling our diffuse_lighting pass.mp476.18MB

15. Adding color to our specular and shadow pass.mp447.95MB

16. Refining our GI pass for our environment.mp455.55MB

17. Tweaking the ambient and reflection passes.mp459.15MB

18. Adding an underwater look using our refraction pass..mp473.53MB

19. What are UV passes and how can we use them_.mp459.83MB

20. Using Uvs to create custom displacement maps.mp457.14MB

21. Adding bubbles and liquid using UV maps.mp459.3MB

22. Exploring techniques for compositing AO and Shadow passes..mp462.13MB

23. Using RGB channels to color match elements.mp434.43MB

24. Making sure we have a balanced composite.mp442.32MB

25. Animating our lighting controls.mp453.38MB

26. Creating a balanced comp for the back of the robot.mp463.48MB

27. Finishing up the lighting on our robot comp.mp453.44MB

28. Let's talk about light wraps.mp463.53MB

29. Overall color grades and vignettes.mp441.86MB

30. Adding atmospheric particles to our scene..mp448.36MB

31. Creating and compositing an RGB volume light.mp481.8MB

32. Addressing client notes in comp to save time.mp484.83MB

33. Faking liquid using UVs and fractal noise..mp435.61MB

34. Advanced tips for using UVs.mp445.48MB

35. Let's talk about relighting!.mp463.95MB

36. Adding contrast and contact lighting.mp448.41MB

37. Fake reflections and cheap rim lights.mp467.97MB

38. A new way to look at glows in After Effects.mp472.5MB

39. Compositing contact lighting for our laser gun flashes.mp478.9MB

40. A look at Position passes inside After Effects.mp450.21MB

41. Using Position passes to create UVs.mp455.75MB

42. Extracting position data from our world position pass.mp433.34MB

43. Adding destruction elements.mp472.05MB

44. Depth of field in After Effects using C4D renders.mp474.59MB

45. Applying depth of field to our robot using Maya_Vray renders..mp444.59MB

46. Adding motion blur to our comps.mp453.45MB

47. Finishing our composite and project.mp485.72MB

Real-World Techniques for Multipass Compositing in After Effects.zip1.16GB