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种子名称： Lynda - Photoshop Channels and Masks
文件类型： 视频
文件数目： 91个文件
文件大小： 1.58 GB
收录时间： 2019-3-30 20:50
已经下载： 3次
资源热度： 149
最近下载： 2024-7-2 10:00

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Lynda - Photoshop Channels and Masks.torrent

1.Introduction/01.Welcome to Channels and Masks.mp499.09MB

1.Introduction/02.Loading Deke's custom dekeKeys shortcuts.mp413.22MB

1.Introduction/03.Adjusting the RGB and CMYK color settings.mp414.98MB

1.Introduction/04.Setting up a pro-level workspace.mp416.56MB

1.Introduction/05.Thumbnails and transparency.mp414.03MB

10.Conclusion/91.Wrapping it all up.mp425.78MB

2.1. How Channels Work/06.It all starts with a channel.mp420.49MB

2.1. How Channels Work/07.Introducing the Channels panel.mp410.04MB

2.1. How Channels Work/08.How color channels work.mp415.95MB

2.1. How Channels Work/09.Viewing channels in color.mp411.49MB

2.1. How Channels Work/10.How RGB works.mp410.78MB

2.1. How Channels Work/11.Single-channel grayscale.mp417.96MB

2.1. How Channels Work/12.Drafting a mask with Black & White.mp417.79MB

2.1. How Channels Work/13.The other 3-channel mode - Lab.mp417.36MB

2.1. How Channels Work/14.The final color mode - CMYK.mp425.26MB

2.1. How Channels Work/15.How CMYK works.mp415.67MB

2.1. How Channels Work/16.Mask in RGB, copy to CMYK.mp426.31MB

3.2. How Masks Works/17.The alpha channel is home to the mask.mp412.6MB

3.2. How Masks Works/18.The origin of the alpha channel.mp49.89MB

3.2. How Masks Works/19.How masks work.mp423.34MB

3.2. How Masks Works/20.Saving a selection as a layer mask.mp421.07MB

3.2. How Masks Works/21.Creating an alpha channel.mp419.96MB

3.2. How Masks Works/22.The Save Selection as Channel icon.mp426.45MB

3.2. How Masks Works/23.Loading a selection from a channel.mp423.16MB

3.2. How Masks Works/24.Loading a selection from a layer.mp416.46MB

3.2. How Masks Works/25.Loading a selection from a different image.mp423.48MB

3.2. How Masks Works/26.Sweetening the final composition.mp415.84MB

4.3. The Color Range Command/27.The best selection tools are commands.mp416.71MB

4.3. The Color Range Command/28.A brief Magic Wand refresher.mp49.39MB

4.3. The Color Range Command/29.Introducing the Color Range command.mp48.29MB

4.3. The Color Range Command/30.Working in the Color Range dialog box.mp49.36MB

4.3. The Color Range Command/31.Localized color clusters.mp414.79MB

4.3. The Color Range Command/32.Selecting complex organic details.mp422MB

4.3. The Color Range Command/33.Using Color Range to augment a mask.mp420.66MB

4.3. The Color Range Command/34.Finessing and feathering a layer mask.mp425.5MB

4.3. The Color Range Command/35.Creating a zoom effect with Pinch.mp428.53MB

4.3. The Color Range Command/36.Isolating Color Range inside a marquee.mp422.49MB

4.3. The Color Range Command/37.Inverting everything with type.mp423.92MB

4.3. The Color Range Command/38.Increasing the legibility of type.mp413.17MB

5.4. Select _ Subject/39.Just choose a command and let it run.mp415.23MB

5.4. Select _ Subject/40.Introducing Select _ Subject.mp413.48MB

5.4. Select _ Subject/41.Select _ Subject vs. Color Range.mp49.56MB

5.4. Select _ Subject/42.Combining selections.mp422.57MB

5.4. Select _ Subject/43.Softening edges with the Blur tool.mp420.7MB

5.4. Select _ Subject/44.Smoothing edges with the Smudge tool.mp419.82MB

5.4. Select _ Subject/45.Adding depth of field to a background.mp421.2MB

6.5. The Focus Area Command/46.The Hail Mary of automated selections.mp412.33MB

6.5. The Focus Area Command/47.Edges vs. noise.mp412.87MB

6.5. The Focus Area Command/48.A brief Quick Selection refresher.mp417.79MB

6.5. The Focus Area Command/49.Expanding a selection with Select _ Similar.mp421.97MB

6.5. The Focus Area Command/50.Introducing the Focus Area command.mp418.94MB

6.5. The Focus Area Command/51.Using the Focus Area brush.mp415.68MB

6.5. The Focus Area Command/52.Focus Area vs. Select _ Subject.mp420.33MB

6.5. The Focus Area Command/53.Bringing in some better hair.mp415.37MB

6.5. The Focus Area Command/54.Viewing mask and image at the same time.mp423.54MB

6.5. The Focus Area Command/55.Non-destructive feather and density.mp414.73MB

6.5. The Focus Area Command/56.Masking a gradient layer.mp414.65MB

7.6. Refining Selections and Masks/57.The joy of automated refinement.mp419.52MB

7.6. Refining Selections and Masks/58.Introducing Select and Mask.mp431.13MB

7.6. Refining Selections and Masks/59.Applying global refinements.mp414.41MB

7.6. Refining Selections and Masks/60.Edge Detection - Radius and Smart Radius.mp412.3MB

7.6. Refining Selections and Masks/61.Painting with the Refine Edge brush.mp415.23MB

7.6. Refining Selections and Masks/62.Decontaminating colors.mp428.44MB

7.6. Refining Selections and Masks/63.Selecting before you refine.mp416.85MB

7.6. Refining Selections and Masks/64.The legacy Refine Edge command.mp416.28MB

7.6. Refining Selections and Masks/65.Further refining with Refine Mask.mp420.82MB

7.6. Refining Selections and Masks/66.Matching the lighting of your scene.mp411.38MB

8.7. Extracting Masks from Channels/67.Mastering channel operations.mp421.42MB

8.7. Extracting Masks from Channels/68.Introducing the Calculations command.mp45.48MB

8.7. Extracting Masks from Channels/69.Previewing channels with Calculations.mp412.38MB

8.7. Extracting Masks from Channels/70.Blending two channels together.mp414.21MB

8.7. Extracting Masks from Channels/71.Increasing the contrast of a channel.mp421.67MB

8.7. Extracting Masks from Channels/72.Filling in regions with the Brush tool.mp425.67MB

8.7. Extracting Masks from Channels/73.Using the Add and Subtract modes.mp416.66MB

8.7. Extracting Masks from Channels/74.The Black and White Point eyedroppers.mp47.34MB

8.7. Extracting Masks from Channels/75.Soft Light, Overlay, and Hard Mix.mp47.41MB

8.7. Extracting Masks from Channels/76.Painting with the Overlay mode.mp415.36MB

8.7. Extracting Masks from Channels/77.Combining alpha channels to make a mask.mp414.42MB

9.8. Compositing - Putting It All Together/78.The power of compositing.mp418.2MB

9.8. Compositing - Putting It All Together/79.Smooth edges and color fringing.mp416.46MB

9.8. Compositing - Putting It All Together/80.Assigning a shortcut to Refine Edge.mp48.86MB

9.8. Compositing - Putting It All Together/81.Correcting wispy edges with Refine Mask.mp412.67MB

9.8. Compositing - Putting It All Together/82.Bolstering hair or fur with a blended layer.mp417.47MB

9.8. Compositing - Putting It All Together/83.Combining your refined layer masks.mp415.67MB

9.8. Compositing - Putting It All Together/84.Dressing up a bad background.mp415.41MB

9.8. Compositing - Putting It All Together/85.Masking a background image.mp415.36MB

9.8. Compositing - Putting It All Together/86.From alpha channel to filter mask.mp48.98MB

9.8. Compositing - Putting It All Together/87.Darkening a sky with Gradient Overlay.mp48.46MB

9.8. Compositing - Putting It All Together/88.Creating a synthetic snow effect.mp413.79MB

9.8. Compositing - Putting It All Together/89.Enhancing your snowflakes.mp416.73MB

9.8. Compositing - Putting It All Together/90.Adding a snowflake bokeh on the lens.mp412.25MB